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The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.

Journal of British and Irish Innovative Poetry is a leading international peer-reviewed journal publishing original research, clinical updates, and reviews indexed in Clarivate Web of Science (SCIE) with Q3 quartile ranking.

The Wordsworth Circle is an international quarterly learned journal founded in 1970 to publish contemporary studies of literature, culture, and society primarily in England during the Romantic period from about 1760 to 1850. Directed toward scho lars, critics, and students, it focuses on the lives, works and times of such writers as Wordsworth, Coleridge, Blake, Hazlitt, DeQuincey, Lamb, Southey, Byron, Shelley, Keats, Scott, Jane Austen, minor and popular writers such as Beattie, Maria Edgeworth , Leigh Hunt, John Clare, and James Hogg.